Posts Tagged ‘camera equipment’

Gear update: Cold cameras, warm fingers

Thursday, October 25th, 2012

[by Fritz] I’m a big fan of a fingerless glove made by Sportees that I depend on for winter photography – so much so that I blogged about it. Over the past year I’ve been doing lots of wintertime night photography. Cold hands have prompted me to further refine my glove system and I’m tickled with the results.

In deep cold I used to wear polypro liner gloves underneath the Sportees gloves, but polypro seems to transmit the cold, is slippery with lenses, gets smelly and hooks dry skin. Last winter I tried a pair of merino wool finger gloves made by Icebreaker, and they’re amazing. They don’t catch on dry skin, and they’re actually warm and pleasant to wear. I wouldn’t have thought that such a small item of clothing could make such a difference to my work, but photography is impossible without happy hands.

For anyone who spends a lot of time shooting in the cold, I strongly recommend this system: Icebreaker’s merino wool Glove Liners under Sportees’ Michie Dog Musher Gloves with chemical hand warmers tucked into the wrist pockets.

Making gigapixel murals with Mars rover technology

Tuesday, October 23rd, 2012

[by Fritz] In 2010 I got a call from Parks Canada asking if I could make 65-foot long photo-murals for their new visitor centre in Kluane National Park. I boldly said yes, having just a month earlier read about the new GigaPan Epic Pro robotic camera mount. This device incorporates technology developed by researchers at NASA and Carnegie Mellon University for the Mars rover missions to make detailed stitched panoramas of the red planet.

I was keen to use this technology to photograph Kluane’s oversize landscapes, so I scrambled to buy the device, which had been available for less than a year. I’d never made an image this size before, and I was fortunate to have a client who was open to exploring this with me. The 1,704 megapixel image below of alpine waterfalls in White Pass was a test shot in preparation for Parks Canada’s mural project. It was stitched from 196 photos taken with the 21-megapixel Canon 1DS Mark III. This photo isn’t particularly special, but it becomes much more interesting when you zoom in and explore the water, rocks and plants at full resolution. If you want to view it on an iOS device or the full-screen version go to the link at GigaPan.

In the end we made 7 photographs for Parks Canada – the largest mural will be 46-feet long and 16-feet high and is being printed from a 2,400 megapixel file. The exhibits are being installed this winter – check back in the new year when I’ll share these gigapixel images from Kluane.

Anatomy of a portrait shoot on a blindingly bright day

Wednesday, November 30th, 2011

[by Fritz] This summer I got a call from Shell Canada and Canadian Geographic to shoot the Kitchen-Kuiack family of Marsh Lake, Yukon. They’re one of six Canadian families competing in The Energy Diet Challenge. For three months Brian, Marguerite, Simone and Marika have been reducing every aspect of their energy consumption in a battle to win a 2012 Toyota Prius.

The busy Kitchen-Kuiack family were only available for two hours and the Shell Canada client was flying in for the shoot. The day before, I drove out to the house to quickly scout the location and meet Brian Kitchen. That day, the light conditions were perfect: overcast with bright open shadows.

Next morning it’s a brilliant, cloudless sunny day and by 8 am it already feels like high noon. When we arrive at 8:45 everyone cheerily points out that the weather is perfect. Not exactly! This kind of light is a photographer’s nightmare, with contrast so high that it exceeds the camera’s dynamic range. We have a long list of shots to cover in less than two hours so we get right to work. My mind is scrambling trying to figure out how to reduce the contrast with the location options we have.

We start with interior shots because it’s easier to manage the light by tacking black fabric over the windows to create an instant studio. I’ve brought my Einstein strobes and Paul C. Buff modifiers – Rob Galbraith has good reviews of this gear. We work through a series of individual and family portraits in the Kitchen’s cozy living room, including Thomas, the agreeable family cat. Because the energy challenge will be in the fall and winter, we light a fire in the fireplace, even though it’s July. I’m already sweating, and within 20 minutes everyone else is too.

Next we move outside, and though it’s a hot sunny day the Kitchens gamely wear jeans and sweatshirts. The locations I scouted yesterday don’t work today in the bright sun, so we change the plan. I’ve decided on a couple of distinctive backdrops where we can hide from the sun behind their sheds so I have more control over the light. I’m underexposing the camera and pumping in light with the Einsteins with 1 CTO gels to create a warm low-sun feel. Whew… less than two hours after we arrived, we’re packing up our gear and saying good-bye.

Searching for our Yukon Top 200

Wednesday, April 27th, 2011

[by Fritz] I’m selecting and preparing 200 Yukon images for a project we started ten years ago. We’re scrolling through tens of terabytes of images archived on raw hard drives and poring over filing cabinets stuffed with 35mm and medium format slides looking for top images representing a decade of work. We started in the world of film, and our business is now fully digital, so this project spans huge shifts in technology – definitely one of the challenges of building a business in an industry that has experienced enormous change. Scanning, final edit and processing in Lightroom. Tight deadlines and lots to do. More to follow soon.

Winter photography: My favourite fingerless gloves

Monday, December 6th, 2010

[by Fritz] Shooting in the cold is hard on your hands. Most gloves are thick and bulky and don’t allow the finger dexterity to adjust small dials on camera equipment. And bare hands quickly become useless when holding cold metal equipment in freezing temperatures.

A couple of years ago Andrea Rodger introduced me to her technical glove that quickly became my favourite for cold weather shooting. I was spending a morning at Andrea’s Sportees Activewear in Whitehorse doing a photo shoot profiling successful Yukon businesses. I’d just finished a week of shooting in minus 30 and I was probably whining about my hands. I was pawing through baskets of gloves when Andrea quickly produced a pair of her Michie Dog Musher Gloves and told me I had to try them.

They’re as good as Andrea said they would be. They’re definitely warmer than regular fingerless gloves, and the design provides lots of flexibility for someone who needs to use their fingers. The glove is made of neoprene and has a little pocket over the wrist where you insert a hand warmer, those chemical heat packs sold by Canadian Tire, MEC and others (in cold weather I sometimes tape heat packs to my camera, to batteries etc). The pocket holds the heat pack right over the inside of your wrist, so it warms the blood as it moves into your hand. I use the Sportees gloves in winter, and I also use them for aerial shooting – when the door is off it can be really cold in the back of an airplane or helicopter.

Feeling the shakes over Mount Logan

Tuesday, November 30th, 2010

[by Fritz] The thermometer is dipping down, so I’m finding excuses to stay inside and edit photos. I’m working on a collection of images from some collaborative aerial photography shoots I did this summer with Parks Canada. It took a couple of years for the timing and conditions to come together, but in the end we managed to do some pretty extensive shooting of the Kluane icefields.

It’s one thing to get the right weather and light, but it’s another to make a sharp, high-quality photograph while you’re hanging out of a doorless old bush plane over the north face of 19,551-ft Mount Logan. Despite 14 layers of long underwear, I’m still freezing cold. It’s way too early and I’ve probably had too much coffee, and the plane is bucking all over the place. So it’s fair to say that the shakes are a problem. What do you do?

For many years I’ve used an external stabilizing gyroscope to improve sharpness on aerial shoots, but this year I built a new rig that reduces camera shake even more. I use two KenLab KS-8 gyroscopes connected at right angles to each other to stabilize the camera on all three axes, clamped to a Really Right Stuff rail with Arca-Swiss-style clamps to attach the whole beast to the bottom of the camera. It’s crazy heavy, and I should work out more to strengthen my arms, but it significantly reduces camera shake for the first hour or two (before I get tired and my arms give out). Watch for future blog discussions about shooting sharp aerials at night.  

Some Photo Sites and Blogs I Follow

Thursday, July 15th, 2010

[by Fritz] I check Rob Galbraith’s news site every day. It’s really well done and quick to read. Rob is Canadian (Calgary), but the content is of broad interest and he’s popular on both sides of the border. They filter through all of the photography noise out there – new gear, software, announcements, photographers, web launches, trends, events, awards – and present a couple of postings with a good summary and a bit of opinion. Rob and his colleagues also do their own technical analyses of gear performance, and they understand the business of photography. A couple of years ago we were lucky enough to have Mike at Galbraith write a post about my portfolio, and we enjoyed a spike in web hits for weeks.

I monitor the Luminous Landscape website which is run by a Canadian from out east, Michael Reichmann. The site design is horrendous, but they have passionate gear reviews and they’re right on top of camera technology. They do pretty detailed analysis and opinion pieces that can be very useful.

Joe McNally has more Facebook fans than the population of the city where I live. Joe is a working photographer who’s been in the biz for years, and he’s a master of social media. His blog entries are always good for a chuckle. Sometimes they’re informative in terms of photo technique and business, and occasionally his philosophical entries verge on profound. Joe’s self-deprecating, guy-next-door style makes for a good read.

I actually do follow Vince Laforet’s blog. It can be hit and miss, but he’s a good photographer and he’s an early adopter. I think some of his suggestions are so heavy from his technology love affair that they’re a bit ridiculous, but he’s so into it that he’s on top of the trends and he’s an industry leader.

To help stay on top of developments on the software front, I occasionally check Photoshop News, Lightroom Journal and Jack Nack on Adobe.

For a creative hit, one of the places I occasionally check is Burn magazine. This used to be David Allan Harvey’s blog and now it’s evolved into Burn. It’s photojournalism – issues, often dark and moody, controversial, weird, inspirational, all over the map. Sometimes I wonder, what are they smoking? Other times I see something amazing and am really inspired.