This summer we did a combination marketing/special event photo shoot in Gulf Islands National Park and Reserve near Victoria, B.C. Parks Canada hosted a 2-day BioBlitz at Sidney Spit, and then we spent several days visiting some of the outer islands in the marine park.
Posts Tagged ‘Commercial Photography’
This was Fritz’s first trip to Nahanni, and what a trip it was. Parks Canada took a small team on a 10-day whirlwind tour to many of Nahanni’s great sites – Glacier Lake, Cirque of the Unclimbables, Rabbitkettle, tufa mounds, Virginia Falls – to refresh the park’s photo collection.
This summer Fritz was invited by Parks Canada to photograph one of the country’s newest park reserves. Officially established just a year ago, Naats’ihch’oh is an extensive wilderness adjacent and north of Nahanni National Park. The small crew spent a week exploring the park.
It’s always a good time in Dawson City! Parks Canada was looking to rejuvenate their image collection for the complex of national historic sites in the Klondike, and they invited Fritz for a 2-day power shoot this summer.
[by Fritz] Last April Air North called about a pretty unique shoot: “We’re hosting Yukon’s first-ever whisky tour, we’ve teamed up with Edible Canada, and we want this to look good!”
A couple of weeks later I was shoulder to shoulder with top chefs, food bloggers and whisky purveyors as they welcomed two dozen well-heeled visitors on their first Yukon culinary tour. The Yukon Whisky Dinner started with huskies and ended under the northern lights, with stops along the way to sample some of the Yukon’s finest fare. It was an impressive package of experience and tastes, and clearly things went well – Edible Canada is offering two Yukon tours next April.
See more from the Yukon Whisky Dinner shoot on our Facebook page
[by Fritz] I’m fortunate to often shoot in our national parks system, trying to capture experiences, moments and landscapes that make people want to visit these special places. Working with Parks Canada has been one of the highlights of my decade as a photographer.
Recently Parks Canada put their photography services out to tender. It was a competitive process – required 10 years of professional experience and fairly rigorous technical and portfolio qualifications. Excited to be selected by Parks Canada as one of six photographers shooting in the national parks and heritage sites system over the next couple of years. And a few parks are already queueing up shoots for summer 2015.
With warm summer thoughts in mind, here’s a selection from a shoot in Ivvavik National Park last summer with the team from the Western Arctic Field Unit.
[by Fritz] Last weekend I attended the official opening of the new Kluane National Park visitor centre in Haines Junction, Yukon where I got to see the results of a commercial shoot I worked on over the past two years. The client was Parks Canada, and they first called me in 2010 about commissioning a series of gigapixel images for their new exhibit hall. Read an earlier blog post about Gigpan Epic Pro and Mars Rover technology.
My job was to follow the exhibit designer’s creative direction to create half a dozen wall-sized gigapixel images to be incorporated into interpretive installations. This wasn’t a photographer-driven beauty shoot – they provided detailed concepts and image sizes, and I scouted locations and completed the shoots to their specs. It was very time consuming and involved lots of technical challenges and computer time. We all had to stay flexible as the project evolved, and the results are impressive. Lots of photographers are creating gigapixel images, but few are fortunate to have them printed at their full size.
It’s exciting to see how veteran exhibit designer David Jenson and his team created an immersive space where you can experience being in the park. When entering Parks Canada’s exhibit hall, you first approach a ceiling-high mountain structure in the centre of the room draped with a gigapixel photograph of King’s Throne at Kathleen Lake. Hiding beyond King’s Throne is a 10-foot high photo of a wall of glacial ice: the toe of Donjek Glacier, with lighting that creates the feeling of clouds and changing sunlight. Other stitched gigapan images anchor habitat exhibits on the surrounding walls.
In the end we made 7 giant photographs, and many of my images from other shoots for Parks Canada are used elsewhere throughout the exhibits. Below you can explore and zoom into five of these gigapixel images of Kluane – click on bottom-left button for full-screen mode. Or better yet, visit the new interpretive centre in Haines Junction!
[by Fritz] In 2010 I got a call from Parks Canada asking if I could make 65-foot long photo-murals for their new visitor centre in Kluane National Park. I boldly said yes, having just a month earlier read about the new GigaPan Epic Pro robotic camera mount. This device incorporates technology developed by researchers at NASA and Carnegie Mellon University for the Mars rover missions to make detailed stitched panoramas of the red planet.
I was keen to use this technology to photograph Kluane’s oversize landscapes, so I scrambled to buy the device, which had been available for less than a year. I’d never made an image this size before, and I was fortunate to have a client who was open to exploring this with me. The 1,704 megapixel image below of alpine waterfalls in White Pass was a test shot in preparation for Parks Canada’s mural project. It was stitched from 196 photos taken with the 21-megapixel Canon 1DS Mark III. This photo isn’t particularly special, but it becomes much more interesting when you zoom in and explore the water, rocks and plants at full resolution. If you want to view it on an iOS device or the full-screen version go to the link at GigaPan.
In the end we made 7 photographs for Parks Canada – the largest mural will be 46-feet long and 16-feet high and is being printed from a 2,400 megapixel file. The exhibits are being installed this winter – check back in the new year when I’ll share these gigapixel images from Kluane.
There’s gold, and it’s haunting and haunting;
It’s luring me on as of old;
Yet it isn’t the gold that I’m wanting
So much as just finding the gold.
It’s the great, big, broad land ‘way up yonder,
It’s the forests where silence has lease;
It’s the beauty that thrills me with wonder,
It’s the stillness that fills me with peace.
from the Spell of the Yukon, Robert Service
[by Fritz] Last month I headed to Dawson City to shoot the Klondike National Historic Sites for the Canadian Tourism Commission. Most of the talent we pulled in were Parks Canada staff whose jobs had just ended for the season, along with some keen locals and a few tourists. It was supposed to look like a ‘summer’ shoot, but fall was in full swing here in September so we embraced it.
One afternoon we spent some time at Robert Service Cabin. Most visitors to Dawson seek out the home of the famous poet known for his verses about the Klondike Gold Rush. The weather had been cloudy and cold, but while we were there the sun beamed into the historic site. For a short time we were surrounded by magic light and golden fall colour.
While leading us around town on a walking tour, Parks Canada heritage interpreter Fred Osson became Robert Service. By the time we arrived at the cabin, we’d been listening to Fred recite Service ballads and spout off tall tales like Service. I found myself lowering the camera so I could watch the famous bard. I caught myself thinking: this actually is Robert Service, and I really am standing here on the boardwalk in 1903.
It’s easy to think about historic times in monochromatic black and white like we see in the old photos, yet Service’s life was full of colour. That afternoon Fred animated Robert Service’s world for us. Fred is incredibly gifted at what he does, and he took us back a hundred years. We re-created a historic photograph in front of the cabin porch, with Fred teasing us in and out of the past. Oddly, it was 100 years almost to the day since Service left the Yukon for good.
I’ve been to Dawson many times, yet I felt something significant at the cabin that day, like I’d travelled through time and found Klondike gold myself. It was a testament to the power of interpretation.
[by Fritz] This summer I got a call from Shell Canada and Canadian Geographic to shoot the Kitchen-Kuiack family of Marsh Lake, Yukon. They’re one of six Canadian families competing in The Energy Diet Challenge. For three months Brian, Marguerite, Simone and Marika have been reducing every aspect of their energy consumption in a battle to win a 2012 Toyota Prius.
The busy Kitchen-Kuiack family were only available for two hours and the Shell Canada client was flying in for the shoot. The day before, I drove out to the house to quickly scout the location and meet Brian Kitchen. That day, the light conditions were perfect: overcast with bright open shadows.
Next morning it’s a brilliant, cloudless sunny day and by 8 am it already feels like high noon. When we arrive at 8:45 everyone cheerily points out that the weather is perfect. Not exactly! This kind of light is a photographer’s nightmare, with contrast so high that it exceeds the camera’s dynamic range. We have a long list of shots to cover in less than two hours so we get right to work. My mind is scrambling trying to figure out how to reduce the contrast with the location options we have.
We start with interior shots because it’s easier to manage the light by tacking black fabric over the windows to create an instant studio. I’ve brought my Einstein strobes and Paul C. Buff modifiers – Rob Galbraith has good reviews of this gear. We work through a series of individual and family portraits in the Kitchen’s cozy living room, including Thomas, the agreeable family cat. Because the energy challenge will be in the fall and winter, we light a fire in the fireplace, even though it’s July. I’m already sweating, and within 20 minutes everyone else is too.
Next we move outside, and though it’s a hot sunny day the Kitchens gamely wear jeans and sweatshirts. The locations I scouted yesterday don’t work today in the bright sun, so we change the plan. I’ve decided on a couple of distinctive backdrops where we can hide from the sun behind their sheds so I have more control over the light. I’m underexposing the camera and pumping in light with the Einsteins with 1 CTO gels to create a warm low-sun feel. Whew… less than two hours after we arrived, we’re packing up our gear and saying good-bye.